Fiona Pardington Taku Tahu, MTG Hawkes Bay, 2022 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 176 x 140 cm Edition of 10
Fiona Pardington Manawarahi Female Huia, MTG Hawkes Bay, 2022 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 176 x 140 cm Edition of 10
Fiona Pardington Pipitonu, Two Hearts Beats as One, 2022 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 176 x 140 cm Edition of 10
Fiona Pardington Kaka Nestor Meridionalis, Canterbury Museum, 2021 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 176 x 140 cm Edition of 10
Fiona Pardington Kaka Ake Ake, Canterbury Museum, 2022 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 176 x 140 cm Edition of 10
Fiona Pardington Magpie Tail, Lower Hook, 2022
Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 140 x 176 cm Edition of 10 + 1AP
Fiona Pardington Harrier Tail (below), Hunter, 2022 Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass 140 x 176 cm Edition of 10
Fiona Pardington Pihipihi (below), Hunter, 2022 Inkjet print on Hahnemühle paper, framed in black box moulding with AR70 non-reflective museum glass Diptych, each panel 110 x 110 cm Edition of 10 + 1AP
Wairua o te hau is 1301SW’s debut solo exhibition with the acclaimed New Zealand artist and Māori (Ngāi Tahu, Kati Mamoe and Ngāti Kahungunu) woman Fiona Pardington. Marking her first solo presentation in Australia in eight years this exhibition presents a series of new works continuing her relationship to image making and its ability to capture hidden things, death, beauty and history.
Pardington has long mined the collections of natural history museums, seeing her capture significant objects of Māori heritage such as hei tiki (greenstone pendants), while this new collection focuses on the now extinct huia bird and other birds of cultural significance. This investigation and documentation is an act of re-claiming, breathing new life into these now stagnant creatures to raise awareness of the importance of conservation and cultural history — a process interrogating death whilst celebrating collecting and preservation.