Marco Fusinato DESASTRES 28%DOT20dpi600px.jpg variation 2, 2026
Liquitex titanium white heavy body acrylic with gloss and screen-print medium on Belle Arti 96U Fine 360gsm black double primed linen
150 x 240 cm
Unique state + Unique AP
(Courtesy of PALAS, Sydney)
Marco Fusinato DESASTRES FranciscoGOYAyLucientes-NothingThe-Ff121263.jpg, 2026
Liquitex titanium white heavy body acrylic with gloss and screen-print medium on Belle Arti 96U Fine 360gsm black double primed linen
150 x 240 cm
Unique state + Unique AP
(Courtesy of PALAS, Sydney)
Marco Fusinato DESASTRES FranciscoGOYAyLucientes-NothingThe-Ff121263.jpg, 2026 (detail)
Liquitex titanium white heavy body acrylic with gloss and screen-print medium on Belle Arti 96U Fine 360gsm black double primed linen
150 x 240 cm
Unique state + Unique AP
(Courtesy of PALAS, Sydney)
Marco Fusinato DESASTRES FranciscoGOYAyLucientes-NothingThe-Ff121263.jpg, 2026 (detail)
Liquitex titanium white heavy body acrylic with gloss and screen-print medium on Belle Arti 96U Fine 360gsm black double primed linen
150 x 240 cm
Unique state + Unique AP
(Courtesy of PALAS, Sydney)
Another presentation… extending from 2026’s opening exhibition, Skywriting Stanzas in Thunderstorms, 1301SW presents … more stanzas …. more storms.
Here the past reappears, an idea continues to hold, persistently oscillating between subconscious wanderings and a wakeful proposition, another part to be explored, part two. An exhibition both attached to the soul of its older sibling but extending with its own direction. For the advantage of avoiding the concreteness of closed-circuit jargon allows for an atmosphere to appear, for language, perception, connections and forms to indeed form themselves.
