Darcey Bella Arnold, Luke Brennan, Emily Floyd, Alex Gawronski, Lucina Lane, John Meade, Jonny Niesche, Robert Pulie, Nicholas Smith, Brendan Van Hek and Justene Williams
A Procession of Things
17
May –
14 Jun 2025
Sydney
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A Procession of Things, 2025 (installation view)
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A Procession of Things, 2025 (installation view)
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A Procession of Things, 2025 (installation view)
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A Procession of Things, 2025 (installation view)
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A Procession of Things, 2025 (installation view)
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A Procession of Things, 2025 (installation view)
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Darcey Bella Arnold The Orange is Orange (figure), 2024 Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 57 x 81 x 100 cm
Unique edition, 2 of 3 +2AP
Darcey Bella Arnold The Orange is Orange (figure), 2024 (detail) Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 57 x 81 x 100 cm
Unique edition, 2 of 3 +2AP
Darcey Bella Arnold
The Orange is Orange (fruit), 2025 Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 53 x 70 x 62 cm
Unique edition, 2 of 3 + 2AP
Darcey Bella Arnold
The Orange is Orange (fruit), 2025 (detail) Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 53 x 70 x 62 cm
Unique edition, 2 of 3 + 2AP
Darcey Bella Arnold The Orange is Orange (peel), 2024 Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 38.50 x 76.50 x 171 cm Unique edition, 2 of 3 + 2AP
Darcey Bella Arnold The Orange is Orange (peel), 2024 (detail) Polystyrene foam, polyurethane polymer, synthetic polymer, cotton fibre, flocking, varnish 38.50 x 76.50 x 171 cm Unique edition, 2 of 3 + 2AP
Emily Floyd Abstract Solar, 2013 Synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF 33 x 26 x 25 cm Courtesy of Anna Schwartz Gallery, Melbourne
Emily Floyd Abstract Solar, 2013 Synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF 33 x 26 x 25 cm Courtesy of Anna Schwartz Gallery, Melbourne
Emily Floyd Abstract Solar, 2013 (detail) Synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF 33 x 26 x 25 cm Courtesy of Anna Schwartz Gallery, Melbourne
John Meade Space Ellipsoid Mk 0.75, 2021 Solid nylon SLS 3D print, Dulux Weathershield acrylic paint
12 x 18 x 15 cm Edition 2 of 4 Courtesy of Sutton Gallery, Melbourne
John Meade Space Ellipsoid Mk 0.75, 2021 Solid nylon SLS 3D print, Dulux Weathershield acrylic paint
12 x 18 x 15 cm Edition 2 of 4 Courtesy of Sutton Gallery, Melbourne
Nicholas Smith idol, 2024 Burnished terracotta, beeswax; foam (salvaged caravan cushions), floristry ribbons (inherited from artist's grandmother); pine, cardboard 195 x 80 x 55 cm Courtesy of Haydens, Melbourne
Nicholas Smith idol, 2024 (detail) Burnished terracotta, beeswax; foam (salvaged caravan cushions), floristry ribbons (inherited from artist's grandmother); pine, cardboard 195 x 80 x 55 cm Courtesy of Haydens, Melbourne
Justene Williams
Party hips ( emote sculpture ), 2025 Closed cell foam, resins, steel, stainless plate, various aluminium foils, various paints 180 x 90 x 90 cm (approx.) Courtesy of Anna Schwartz Gallery, Melbourne
Justene Williams
Party hips ( emote sculpture ), 2025 (detail) Closed cell foam, resins, steel, stainless plate, various aluminium foils, various paints 180 x 90 x 90 cm (approx.) Courtesy of Anna Schwartz Gallery, Melbourne
A procession of things. Inanimate but rich in their tellurian grounding, lined up to observe repetition, similarities and differences in concept, scale and form; conversing with one another whilst equally being inward-looking. Situated in this procession, these things are activated, placed with a feeling of movement, alluding to a happening — an event. Here in this state of procession we follow suit, proceeding from thing to thing, approaching each from a common grounding but with alien assumptions — like tentatively walking into a cold ocean.
Things are not objects; they seemingly live in a space of activity, of power within themselves, while objects tend to be more practical. This term places them in a space of more capability, of influence, in a state allowing for interpretation and gentle obscurity. Like the 2023 Melbourne exhibition, Threshold of things, this presentation in Sydney continues to allude to this notion of artworks as “things”, in this iteration partaking in a procession of captivating and contemplative works traversing the gallery space.
Emily Floyd and Justene Williams appear courtesy of Anna Schwartz Gallery, Melbourne John Meade appears courtesy of Sutton Gallery, Melbourne Nicholas Smith appears courtesy of Haydens, Melbourne