Billy Apple®, Tim Bučković, Lewis Fidock & Joshua Petherick, Diena Georgetti, Simryn Gill, Ann Veronica Janssens, Jonny Niesche, Fiona Pardington, Jelena Telecki, Rirkrit Tiravanija, Gordon Walters, Pae White and Michael Zavros
Lime and limpid green, a second scene (Part Two)
18
Oct –
16 Nov 2024
Sydney
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Lime and limpid green, a second scene (Part Two), 2024 (installation view)
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Billy Apple Collecting Art is a Self Branding Exercise, 2000 Acrylic on canvas 162 x 100 cm
Fiona Pardington Kārearea, Hunter (Above), 2024 Inkjet print on Hahnemühle paper, framed in black box moulding with AR70 non-reflective museum glass 1 of 10
Extending its Naarm/Melbourne base and further expanding its Pacific dialogue via sister galleries 1301PE, Los Angeles and STARKWHITE, Auckland, 1301SW brings its unique and ambitious exhibition program to Gadigal/Sydney with the opening of an expansive 420sqm gallery in the inner-western suburb of Alexandria.
A self-reflective act. Having one’s leg tied to a rope floating above all to better see, not to fly away, but to hover and contemplate the solid ground below. A position affording a metaposition, whereby this reflection allows for a transition from an individual subjective perspective to a general perspective, to afford the visibility of context over the singular.