Mikala Dwyer ‘Penelope and the Seahorse’ at the Chau Chak Wing Museum, University of Sydney Jack Willet | January 11, 2023
Rebecca Baumann ‘Light Interference’ at Dunedin Public Art Gallery, NZ Jack Willet | December 1, 2022
Alicia Frankovich announced as a participating artist in ‘Melbourne Now 2023’ at The Ian Potter Centre: NGV Australia Jack Willet | October 19, 2022
Philippe Parreno’s monumental set for Louis Vuitton at the Louvre’s Place du Carrousel for Paris Fashion Week Jack Willet | October 6, 2022
‘Petra Cortright: sapphire cinnamon viper fairy’ at Palm Springs Art Museum, California Jack Willet | August 30, 2022
“Creating something precise and specific while allowing for development, change, and discussion is a good description of what 1301SW hopes to accomplish in Melbourne.” Jack Willet | August 23, 2022
Ann Veronica Janssens presents a dual exhibition at the Collection Lambert, Avignon and the Fondation CAB, Saint-Paul-de-Vence, France Jack Willet | August 11, 2022
Jonny Niesche featured in T Magazine’s “11 Artists To Seek Out During This Year’s Sydney Contemporary” Jack Willet | August 4, 2022
One-night-only performance: Alicia Frankovich’s ‘The Eye’ at Brunswick Baths, a part of ‘Take Hold of the Clouds’ for Open House 2022 July Festival Jack Willet | July 21, 2022
“Goya’s horrific Black Paintings are brought to life”, Philippe Parreno’s ‘La Quinta del Sordo’ review in The Guardian Jack Willet | July 14, 2022
Philippe Parreno’s ‘Echo2’ at the Rotunda of the Bourse de Commerce, Paris Jack Willet | July 14, 2022
Philippe Parreno’s ‘6.00 PM’ in ‘Light: Works from Tate’s Collection’ at the Australian Centre for the Moving Image, Melbourne Jack Willet | June 22, 2022
Mikala Dwyer ‘The silverings’ at Te Papa Tongarewa, Wellington, New Zealand Jack Willet | June 8, 2022
Billy Apple’s upcoming exhibition, ‘Rainbows 1965’, at The Mayor Gallery, London has been previewed by Fad Magazine Jack Willet | May 17, 2022
Alicia Frankovich ‘Atlas of Anti-Taxonomies’ at Christchurch Art Gallery Te Puna o Waiwhetū, New Zealand Jack Willet | February 21, 2022