Mikala Dwyer’s ‘Chromakinda’ at The Murray Art Museum Albury
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“Sydney Contemporary 2022: 9 Directors Introduce Their Booths”
‘Petra Cortright: sapphire cinnamon viper fairy’ at Palm Springs Art Museum, California
“Creating something precise and specific while allowing for development, change, and discussion is a good description of what 1301SW hopes to accomplish in Melbourne.”
Ann Veronica Janssens presents a dual exhibition at the Collection Lambert, Avignon and the Fondation CAB, Saint-Paul-de-Vence, France
Jonny Niesche featured in T Magazine’s “11 Artists To Seek Out During This Year’s Sydney Contemporary”
One-night-only performance: Alicia Frankovich’s ‘The Eye’ at Brunswick Baths, a part of ‘Take Hold of the Clouds’ for Open House 2022 July Festival
“Goya’s horrific Black Paintings are brought to life”, Philippe Parreno’s ‘La Quinta del Sordo’ review in The Guardian
Philippe Parreno’s ‘Echo2’ at the Rotunda of the Bourse de Commerce, Paris
Philippe Parreno’s ‘6.00 PM’ in ‘Light: Works from Tate’s Collection’ at the Australian Centre for the Moving Image, Melbourne
Ann Veronica Janssens ’23:56:04′ at the Panthéon, Paris, France
Mikala Dwyer ‘The silverings’ at Te Papa Tongarewa, Wellington, New Zealand
Billy Apple’s upcoming exhibition, ‘Rainbows 1965’, at The Mayor Gallery, London has been previewed by Fad Magazine
Alicia Frankovich ‘Atlas of Anti-Taxonomies’ at Christchurch Art Gallery Te Puna o Waiwhetū, New Zealand
Q&A with Petra Cortright on Artnet
Thomas Crow on Billy Apple for Artforum
Alicia Frankovich’s ‘AQI2020’ at MONA FOMA, Hobart
Fiona Pardington ‘Tarota’ at STARKWHITE, Auckland
Tribute to the life and work of Billy Apple in The New York Times
Diana Thater ‘The Conversation’ at 1301PE, Los Angeles
