Diana Thater in ‘Desire, Knowledge, and Hope (with Smog)’ at The Broad, Los Angeles, US
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Diana Thater’s ‘A Wild Kingdom’ in Noor Riyadh Art Festival, Wadi Namar, SA
Rebecca Baumann in ‘State of Abstraction’ at the Art Gallery of Western Australia, Perth, AU
2023 Gertrude Editions: Mikala Dwyer
Rirkrit Tiravanija’s ‘JOUEZ/PLAY’ at Phi Foundation, Montreal, CA
Philippe Parreno at Cahiers d’Art, Paris, FR
“Rirkrit Tiravanija’s Spirited Survey Serves Up Social Interaction and Pad Thai”
Rebecca Baumann’s ‘Light Event’ in the Perth Festival 2024
“Rirkrit Tiravanija Doesn’t Want to Be the Centre of Attention”
“Rirkrit Tiravanija Would Prefer Not To: His new retrospective at MoMA PS1 celebrates avoiding making art”
Diana Thater in ‘RE/SISTERS: A Lens on Gender and Ecology’ at the Barbican, London, UK
“Rirkrit Tiravanija: Blow Up the Museum”
Mikala Dwyer in ‘The Recent’ at Talbot Rice Gallery, The University of Edinburgh, UK
“The Eye and Rich in World Poor in World, Alicia Frankovich”
Mikala Dwyer and Jonny Niesche in ‘Living Patterns: Contemporary Australian Abstraction’ at Queensland Art Gallery, Brisbane, AU
“Jessica Stockholder: Disturbing the Meaning of Objects”
Pae White’s ‘Qwalala’ at Claremont McKenna College, California, US
Gerold Miller awarded The Helmut Kraft Foundation Prize for Fine Arts, presented at Kunstmuseum Singen, DE
Auckland University Press, the Gordon Walters Estate and STARKWHITE launch “Gordon Walters” by Francis Pound at STARKWHITE, Auckland, NZ
Diana Thater awarded an Anonymous Was a Woman (AWAW) Environmental Art Grant from New York Foundation for the Arts (NYFA)
“Petra Cortright, haunted lemon hunted spirit”
Tim Bučković and Merve Ceylan’s ‘in the morning we sit eyeless in glass’ at AURA Kunstraum, Düsseldorf
Alicia Francovich featured in “Six curators talk about the artists on their radar”
“Petra Cortright’s Digital Deconstructions”
“Michael Zavros is reflecting on three decades of work”
Ann Veronica Janssens’ ‘pinkyellowblue’ at M WOODS 798, Beijing, CN
Interview with Ann Veronica Janssens for ‘Grand Bal’ at Pirelli HangarBicocca, Milan, IT
Rirkrit Tiravanija’s ‘We Don’t Recognise What We Don’t See’ at STPI – Creative Workshop & Gallery, SG
Mikala Dwyer’s ‘Spirit Zoologic’ at Braunschweig University of Art, DE
Fiona Pardington’s ‘Tāku Huia Kaimanawa’ at MTG Hawkes Bay, Napier, NZ
Rirkrit Tiravanija and Hans Ulrich Obrist in Conversation
“Jonny Niesche Valorises Beauty and the Sublime at STARKWHITE”
Jonny Niesche at Fundación La Nave Salinas, Ibiza, ES
Rirkrit Tiravanija at Haus der Kunst, Munich, DE
Mikala Dwyer in ‘nightshifts’ at Buxton Contemporary Art Museum, Melbourne, AU
Rirkrit Tiravanija’s largest exhibition to date, ‘A LOT OF PEOPLE’ at MoMA PS1, New York, US
Alicia Frankovich’s performance ‘Rich in World/Poor in World’ as a part of Melbourne Now, AU
Mikala Dwyer’s ‘The Nurses’ (2020) in UNSW Galleries’ touring exhibition ‘Pliable Planes: Expanded Textile & Fibre Practices’ at the Art Gallery of Ballarat, AU
Philippe Parreno’s ‘No More Reality (La Manifestation)’ in ‘Los Nuevos 90’ at San Telmo Museum, San Sebastián, ES
Philippe Parreno ‘Marilyn’ at Espace Louis Vuitton, Munich, DE
Gerold Miller ‘No Boundaries’ at Kappa Nöun, Bologna, IT
Diana Thater in ‘Avant l’Orage’ at Bourse de Commerce, Paris, FR
Mikala Dwyer ‘Penelope and the Seahorse’ at the Chau Chak Wing Museum, University of Sydney, AU
Rebecca Baumann ‘Light Interference’ at Dunedin Public Art Gallery, NZ
Ann Veronica Janssens ‘Grand Bal’ at Pirelli HangarBicocca, Milan, IT
Michael Zavros’ ‘The Favourite’ at Gallery of Modern Art, Brisbane, AU
Alicia Frankovich announced as a participating artist in ‘Melbourne Now 2023’ at The Ian Potter Centre: NGV, AU
Philippe Parreno’s monumental set for Louis Vuitton at the Louvre’s Place du Carrousel for Paris Fashion Week, FR
Mikala Dwyer’s ‘Chromakinda’ at The Murray Art Museum Albury, AU
‘Petra Cortright: sapphire cinnamon viper fairy’ at Palm Springs Art Museum, California, US
“Creating something precise and specific while allowing for development, change, and discussion is a good description of what 1301SW hopes to accomplish in Melbourne.”
Ann Veronica Janssens presents a dual exhibition at the Collection Lambert, Avignon and the Fondation CAB, Saint-Paul-de-Vence, FR
One-night-only performance: Alicia Frankovich’s ‘The Eye’ at Brunswick Baths, a part of ‘Take Hold of the Clouds’ for Open House 2022 July Festival, AU
“Goya’s horrific Black Paintings are brought to life”, Philippe Parreno’s ‘La Quinta del Sordo’ review in The Guardian
Philippe Parreno’s ‘Echo2’ at the Rotunda of the Bourse de Commerce, Paris, FR
Philippe Parreno’s ‘6.00 PM’ in ‘Light: Works from Tate’s Collection’ at the Australian Centre for the Moving Image, Melbourne, AU
Ann Veronica Janssens ’23:56:04′ at the Panthéon, Paris, FR
Mikala Dwyer ‘The silverings’ at Te Papa Tongarewa, Wellington, NZ
Billy Apple’s upcoming exhibition, ‘Rainbows 1965’, at The Mayor Gallery, London has been previewed by Fad Magazine
Alicia Frankovich ‘Atlas of Anti-Taxonomies’ at Christchurch Art Gallery Te Puna o Waiwhetū, NZ
Q&A with Petra Cortright on Artnet
Thomas Crow on Billy Apple for Artforum
Alicia Frankovich’s ‘AQI2020’ at MONA FOMA, Hobart, AU
Fiona Pardington ‘Tarota’ at STARKWHITE, Auckland, NZ
Tribute to the life and work of Billy Apple in The New York Times
Diana Thater ‘The Conversation’ at 1301PE, Los Angeles, US
