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Mikala Dwyer’s ‘Chromakinda’ at The Murray Art Museum Albury

“Sydney Contemporary 2022: 9 Directors Introduce Their Booths”

‘Petra Cortright: sapphire cinnamon viper fairy’ at Palm Springs Art Museum, California

“Creating something precise and specific while allowing for development, change, and discussion is a good description of what 1301SW hopes to accomplish in Melbourne.”

Ann Veronica Janssens presents a dual exhibition at the Collection Lambert, Avignon and the Fondation CAB, Saint-Paul-de-Vence, France

Jonny Niesche featured in T Magazine’s “11 Artists To Seek Out During This Year’s Sydney Contemporary”

One-night-only performance: Alicia Frankovich’s ‘The Eye’ at Brunswick Baths, a part of ‘Take Hold of the Clouds’ for Open House 2022 July Festival

“Goya’s horrific Black Paintings are brought to life”, Philippe Parreno’s ‘La Quinta del Sordo’ review in The Guardian

Philippe Parreno’s ‘Echo2’ at the Rotunda of the Bourse de Commerce, Paris

Philippe Parreno’s ‘6.00 PM’ in ‘Light: Works from Tate’s Collection’ at the Australian Centre for the Moving Image, Melbourne

Ann Veronica Janssens ’23:56:04′ at the Panthéon, Paris, France

Mikala Dwyer ‘The silverings’ at Te Papa Tongarewa, Wellington, New Zealand

Billy Apple’s upcoming exhibition, ‘Rainbows 1965’, at The Mayor Gallery, London has been previewed by Fad Magazine

Alicia Frankovich ‘Atlas of Anti-Taxonomies’ at Christchurch Art Gallery Te Puna o Waiwhetū, New Zealand

Q&A with Petra Cortright on Artnet

Thomas Crow on Billy Apple for Artforum

Alicia Frankovich’s ‘AQI2020’ at MONA FOMA, Hobart

Fiona Pardington ‘Tarota’ at STARKWHITE, Auckland

Tribute to the life and work of Billy Apple in The New York Times

Diana Thater ‘The Conversation’ at 1301PE, Los Angeles