Diena Georgetti presents the Circular Quay Foyer Wall Commission 2025 at the Museum of Contemporary Art Australia, Sydney, AU Jack Willet | December 6, 2024
Simryn Gill in ‘The Elemental You’ at Kiran Nadar Museum of Art, Delhi, IN Jack Willet | December 3, 2024
‘Stolon Press: Flat Earth’ at Monash University Museum of Art, Melbourne, AU Jack Willet | November 29, 2024
Alicia Frankovich and Simryn Gill in ‘Entanglements: Ecology After Nature’ at UQ Art Museum, Brisbane, AU Jack Willet | November 22, 2024
Alicia Frankovich in ‘The Charge That Binds’ at the Australian Centre for Contemporary Art, Melbourne, AU Jack Willet | November 19, 2024
Petra Cortright in ‘The Living End: Painting and Other Technologies, 1970–2020’ at the Museum of Contemporary Art Chicago, US Jack Willet | November 14, 2024
Jonny Niesche featured in “MirrorMirror: The Reflective Surface in Contemporary Art” Jack Willet | November 14, 2024
Petra Cortright’s ‘girlfrin.ts’ (2013) as a part of ‘Loop Fair’, Barcelona, ES Jack Willet | November 2, 2024
Jonny Niesche in ‘Arriving Slowly: Exploring the Abstract’ at Ipswich Art Gallery, Queensland, AU Jack Willet | October 15, 2024
Michael Zavros appointed Guest Artistic Director for the 2025 edition of the Gold Coast’s contemporary arts festival, ‘Bleach’ Jack Willet | October 15, 2024
“Is Collaboration the Way Through? 1301SW to Open Its Second Gallery in Sydney” Jack Willet | October 2, 2024
Petra Cortright featured in ‘Luminex 3.0: Landscape Frequencies’, South Park, Downtown Los Angeles, US Jack Willet | October 1, 2024
Mikala Dwyer, Jonny Niesche and Jelena Telecki featured in Artspace’s inaugural 2024 Benefit Auction Jack Willet | September 24, 2024
Mikala Dwyer, Ann Veronica Janssens, Jessica Stockholder and Pae White featured in Phaidon’s new book, “Great Women Sculptors” Jack Willet | September 18, 2024
Rirkrit Tiravanija invited as artistic director of ‘Art Spectrum 2024’ at the Leeum Museum of Art, Seoul, KR Jack Willet | August 31, 2024
Mikala Dwyer’s major commission unveiled at the new underground Sydney Metro Martin Place Station, AU Jack Willet | August 9, 2024
Jelena Telecki in ‘Figure Holding Ground’ at Contemporary Art Tasmania, Hobart, AU Jack Willet | July 24, 2024
Billy Apple® and Ann Veronica Janssens in ‘Cloudwalker’ at Museum Voorlinden, Wassenaar, NL Jack Willet | July 4, 2024
Rirkrit Tiravanija’s ‘DAS GLÜCK IST NICHT IMMER LUSTIG (HAPPINESS IS NOT ALWAYS FUN)’ at Gropius Bau, Berlin, DE Jack Willet | June 26, 2024
Jelena Telecki in ‘New South: Recent painting from Southern Australia’ at the Hazelhurst Arts Centre, Gymea, AU Jack Willet | June 26, 2024
Fiona Pardington’s ‘Te taha o te rangi’ at Aigantighe Art Gallery, Timaru, NZ Jack Willet | June 22, 2024
Alicia Frankovich in ‘And this Time the Well Is Alive’ at Gertrude Contemporary, Melbourne, AU Jack Willet | June 19, 2024
Coen Young in ‘undo the day’ at the National Art School Gallery, Sydney, AU Jack Willet | June 5, 2024
Rirkrit Tiravanija’s ‘Untitled (Tomorrow is the Question)'(2024) for La Pista 500, Turin, IT Jack Willet | June 5, 2024
Rirkrit Tiravanija’s ‘Fear eats the soul’ at the Museum of Oriental Art, Turin, IT Jack Willet | June 5, 2024
‘Philippe Parreno: Places and Spaces’ at the Pola Museum of Art, Kanagawa, JP Jack Willet | June 1, 2024
Philippe Parreno and Rirkrit Tiravanija in ‘Cloud Chronicles’ at Fondation Beyeler, Basel, CH Jack Willet | May 21, 2024
Diana Thater and Rirkrit Tiravanija announced for the 2024 program at LUMA Arles, FR Jack Willet | May 17, 2024
Michael Zavros in ‘Namedropping’ at the Museum of Old and New Art, Hobart, AU Jack Willet | May 15, 2024
‘I wanna be your anti-mirror’ curated by Alicia Frankovich at La Trobe Art Institute, Bendigo, AU Jack Willet | May 8, 2024
Fiona Pardington in ‘sis Pacific Art 1980-2023’ at Queensland Art Gallery | Gallery of Modern Art, Brisbane, AU Jack Willet | April 16, 2024
Jessica Stockholder’s ‘For Events’ at Hutchinson Courtyard, University of Chicago, US Jack Willet | April 2, 2024
Mikala Dwyer in ‘Colour is Enough’ at Arts Project Australia, Collingwood, AU Jack Willet | March 19, 2024
Philippe Parreno and James Chinlund unveil their set for Louis Vuitton AW24 womenswear collection at Cour Carrée du Louvre, Paris, FR Jack Willet | March 14, 2024
Alicia Frankovich artist panel discussion for ‘Precarious Movements: Choreography and the Museum’ book launch at NGV, Melbourne AU Jack Willet | March 7, 2024
Jelena Telecki in ‘At Home with Painting’ at the Sydney College of the Arts, Sydney, AU Jack Willet | March 1, 2024
Jelena Telecki’s ‘Mothers, Fathers’ at the Art Gallery of New South Wales, Sydney, AU Jack Willet | February 17, 2024
Ann Veronica Janssens and Michel François’ ‘L’Aire d’un Souffle’ at The Artists’ Parliament, Brussels, BE Jack Willet | February 8, 2024
Philippe Parreno appointed Artistic Director of the 2025 Okayama Art Summit Jack Willet | January 31, 2024
‘Jessica Stockholder: Picture Making and Assembling’, Scaife Galleries, Carnegie Museum of Art, Pittsburgh, US Jack Willet | January 24, 2024
Jonny Niesche and Michael Zavros in ‘Metamorphosis’ at the Art Gallery of South Australia, Adelaide, AU Jack Willet | January 20, 2024
Glasshouse/Stonehouse 2024: Mikala Dwyer and Paul Yore’s ‘LA SALLE DES TAUREAUX’ Jack Willet | January 16, 2024
Diana Thater’s ‘Blitz’ (2008) in ‘Desire, Knowledge, and Hope (with Smog)’ at The Broad, Los Angeles, US Jack Willet | December 6, 2023
Diana Thater’s ‘A Wild Kingdom’ in Noor Riyadh Art Festival, Wadi Namar, SA Jack Willet | December 5, 2023
Rebecca Baumann in ‘State of Abstraction’ at the Art Gallery of Western Australia, Perth, AU Jack Willet | November 25, 2023
“Rirkrit Tiravanija’s Spirited Survey Serves Up Social Interaction and Pad Thai” Jack Willet | October 28, 2023
“Rirkrit Tiravanija Would Prefer Not To: His new retrospective at MoMA PS1 celebrates avoiding making art” Jack Willet | October 14, 2023
Diana Thater in ‘RE/SISTERS: A Lens on Gender and Ecology’ at the Barbican, London, UK Jack Willet | October 13, 2023
Mikala Dwyer in ‘The Recent’ at Talbot Rice Gallery, The University of Edinburgh, UK Jack Willet | September 30, 2023
Mikala Dwyer and Jonny Niesche in ‘Living Patterns: Contemporary Australian Abstraction’ at Queensland Art Gallery | Gallery of Modern Art, Brisbane, AU Jack Willet | September 28, 2023
Gerold Miller awarded The Helmut Kraft Foundation Prize for Fine Arts, presented at Kunstmuseum Singen, DE Jack Willet | September 14, 2023
Auckland University Press, the Gordon Walters Estate and STARKWHITE launch “Gordon Walters” by Francis Pound at STARKWHITE, Auckland, NZ Jack Willet | September 6, 2023
Diana Thater awarded an Anonymous Was a Woman (AWAW) Environmental Art Grant from New York Foundation for the Arts (NYFA) Jack Willet | September 2, 2023
Tim Bučković and Merve Ceylan’s ‘in the morning we sit eyeless in glass’ at AURA Kunstraum, Düsseldorf Jack Willet | August 11, 2023
Alicia Francovich featured in “Six curators talk about the artists on their radar” Jack Willet | July 25, 2023
Interview with Ann Veronica Janssens for ‘Grand Bal’ at Pirelli HangarBicocca, Milan, IT Jack Willet | June 15, 2023
Rirkrit Tiravanija’s ‘We Don’t Recognise What We Don’t See’ at STPI – Creative Workshop & Gallery, SG Jack Willet | June 15, 2023
Mikala Dwyer in ‘nightshifts’ at Buxton Contemporary Art Museum, Melbourne, AU Jack Willet | April 26, 2023
Rirkrit Tiravanija’s largest exhibition to date, ‘A LOT OF PEOPLE’ at MoMA PS1, New York, US Jack Willet | March 11, 2023
Alicia Frankovich’s performance ‘Rich in World/Poor in World’ as a part of Melbourne Now, AU Jack Willet | March 7, 2023
Mikala Dwyer’s ‘The Nurses’ (2020) in UNSW Galleries’ touring exhibition ‘Pliable Planes: Expanded Textile & Fibre Practices’ at the Art Gallery of Ballarat, AU Jack Willet | March 3, 2023
Philippe Parreno’s ‘No More Reality (La Manifestation)’ in ‘Los Nuevos 90’ at San Telmo Museum, San Sebastián, ES Jack Willet | March 2, 2023
Mikala Dwyer ‘Penelope and the Seahorse’ at the Chau Chak Wing Museum, University of Sydney, AU Jack Willet | January 11, 2023
Rebecca Baumann ‘Light Interference’ at Dunedin Public Art Gallery, NZ Jack Willet | December 1, 2022